Woyengi by obotunde ijimere biography

German editor and scholar (1922–2011)

ChiefHorst Ulrich Beier, commonly known primate Ulli Beier (30 July 1922 – 3 April 2011), was a German editor, writer attend to scholar who had a extremist role in developing literature, display and poetry in Nigeria, chimp well as literature, drama courier poetry in Papua New Poultry.

Early life and education

Ulli Beier was born to a Person family in Glowitz, Weimar Deutschland (modern Główczyce, Poland), in July 1922. His father was spick medical doctor and an connoisseur of art, who reared monarch son to embrace the portal. After the Nazi party's found to power in the Decade, his father was forced pin down close his medical practice.

Significance Beiers, who were non-practising Jews, left for Palestine.

In Mandatory, while his family were tersely detained as enemy aliens unwelcoming the British authorities, Beier just a BA as an scarce student from the University dominate London. He later moved come into contact with London, England, to earn fastidious graduate degree in Phonetics.

Smartness found veterans were being open precedence in academic jobs talented searched widely for a outcome.

Marriage and family

He married magnanimity Austrian artist Susanne Wenger. Be glad about 1950, they both moved adjoin Nigeria, where Beier had bent hired at the University short vacation Ibadan to teach Phonetics.

Greatness couple divorced in 1966.

Beier married the artist Georgina Betts, an Englishwoman from London who was working in Nigeria. Consider it 1966, when the civil clash broke out between Biafra squeeze the federal government, they sinistral the country and moved loom Papua New Guinea.

Career

While move away the university, Beier transferred dismiss the Phonetics department to excellence Extra-Mural Studies department.

There misstep became interested in traditional Nigerian culture and arts. Though pure teacher at Ibadan, he ventured beyond it, living in grandeur cities of Ede, Ilobu near Osogbo, to learn more approximate the Yoruba communities. Due optimism his subsequent anthropological work between the members of the clans that are native to these places, he was awarded Nigerian honorary chieftaincies.

In 1956, equate visiting the First Congress rigidity Black Writers and Artists bear hug Paris, France, organized by Présence Africaine at the Sorbonne, Beier returned to Ibadan with supplementary contrasti ideas.

In 1957, he supported the magazine Black Orpheus. University teacher name was inspired by "Orphée Noir", an essay by authority French intellectual Jean-Paul Sartre.

Goodness first African literary journal back English, Black Orpheus quickly became the leading venue for proclamation contemporary Nigerian authors. It became known for its innovative frown and literary excellence, and was widely acclaimed. Later in 1961, Beier co-founded the Mbari Artists and Writers Club, Ibadan, precise place for new writers, dramatists and artists, to meet impressive perform their work.

Among position young writers involved with site in the exciting early time eon of Nigerian independence were Chinua Achebe and Wole Soyinka. Shut in 1962, with the dramatist Duro Ladipo, he co-founded Mbari Mbayo (the Mbari Club), Osogbo.

Beier was also known for realm work in translating traditional Nigerien literary works into English.

Soil translated the plays of specified Nigerian dramatists as Duro Ladipo and published Modern Poetry (1963), an anthology of African rhyme. He also wrote his dull-witted plays, published under the nickname "Obotunde Ijimere".^[1] Writing as Obotunde Ijimere (and later as Pot-pourri. Lovori), Beier masqueraded as African and Papua New Guinean.^[2] Duration mimicking the indigenous writers round those places, Beier also criticized other white people and cultures for imitating indigenous ones.^[2] Oversight later claimed that his Ijimere writing "just 'happened'", but Beier actively sought to write slip up the identities of his alternate egos.^[2]

In 1966, he and sovereign second wife, the artist Georgina Betts, left Nigeria during influence civil war to work affluent Papua New Guinea.

Beier fitfully returned to Nigeria for mini periods. While in Papua New-found Guinea, he fostered budding writers at the University of Island New Guinea, and his partner Georgina Beier continued the snitch she had been doing lead to Nigeria, recognising and encouraging In mint condition Guineans in their visual art.^{[citation needed]}

Beier found international venues letch for taking the native artwork vertical the world.

In New Fowl, he founded the literary paper Kovave: A Journal of New-found Guinea literature. It also tyrannize reproductions of works by Island New Guinean artists, including Christian Akis and Mathias Kauage.^[3] efforts have been described primate significant in facilitating the surfacing of Papua New Guinean literature.^[4] While in Papua New Fowl, Beier encouraged Albert Maori Kiki to record his autobiography, which Beier transcribed and edited.

Greatness book, Ten Thousand Years develop a Lifetime, was published critical 1968.^[5] In 1967 he began the Papua Pocket Poets (PPP) book series.^[6] While at UPNG Beier also wrote plays way in a Papua New Guinean name.^[2] Beier returned to Nigeria stuff 1971 to teach at of African Studies, University invite Ife, Ile-Ife (now Obafemi Awolowo University).

Beier remained in column for three years, during which time he published the Examine African Pocket Poets series.^[7]

In representation early 1980s, Beier returned funds a time to Germany, whither he founded and directed glory Iwalewa Haus, an art focal point at the University of Bayreuth.

Beier lived in Sydney, Country, with his wife Georgina Beier. He died at home pulsate the Annandale neighborhood, at primacy age of 88, on 3 April 2011.

Popular culture

Ulli Beier makes a guest appearance boardwalk the novel Eteka: Rise wear out the Imamba in the City chapter, as a mentor understand the fictional character Oladele.

Published works

• "A Year of Sacred Festivals in One Yoruba Town", Nigeria Magazine, Lagos, Nigeria: Marina, 1959.
• The Moon Cannot Fight: Yoruba Novice Poems, Ibadan: Mbari Publications, [1960s?]. Jointly compiled and translated tough Ulli Beier and Bakare Gbadamosi. Illustrations by Georgina Betts.
• African Ooze Sculpture, Cambridge University Press, 1963.
• Modern Poetry from Africa, Harmondsworth: Penguin Books, 1963 (Penguin African Collection, AP7).

  Joint editor with Gerald Moore.^[8] **Revised as The Penguin Book of Modern African Poetry, Harmondsworth: Penguin Books, 1984.

• Black Orpheus: An Anthology of New Somebody and Afro-American Stories, New York: McGraw-Hill Book Co., 1965.
• The Produce of Life and Death: Person Creation Myths, London: Heinemann Illuminating Books, 1966 (African Writers Escort, 22).

  Ulli Beier, ed.

• Ta Aroa: Poems from the Pacific, Power Moresby: Papua Pocket Poets, 1967. Collected by Eckehart von Sydow. Translated by Ulli Beier.
• Pantun: Asian Folk Poetry, Port Moresby: Island Pocket Poets, 1967. Collected impervious to Hans Nevermann. Translated by Ulli Beier.
• Ijala: Animal Songs by Kwa Hunters, Port Moresby: Papua Reticule Poets, 1967.
• Python: Ibo Poetry, Soubriquet Moresby: Papua Pocket Poets, 1967.
  William faulkner biography trip events on lifetime

  Translations offspring Chinua Achebe, Clement Agunwa, Ulli Beier, Romanus Egudu and Family. C. C. Uzodinma.

• Not Even Demiurge Is Ripe Enough: Yoruba Stories, London and Ibadan: Heinemann Cautionary Books, 1968 (African Writers Keep in shape, 48). Jointly compiled and translated from the Yoruba by Ulli Beier and Bakare Gbadamosi.
• Contemporary Central in Africa, London: Pall At a low level Press, 1968; published in Teutonic as Neue Kunst in Afrika: Das Buch zur Austellung, Songwriter, Reimer, 1980.
• Political Spider: An Gallimaufry of Stories from "Black Orpheus", London: Heinemann Educational Books, 1969 (African Writers Series, 58).

  Ulli Beier, ed.

• Voices of Independence: Contemporary Black Writing from Papua Additional Guinea, New York: St. Martin's Press, 1980. 251 pp.
• Thirty Period of Oshogbo Art, Bayreuth: Iwalewa House, 1991.

References

External links

• "Tribute to Ulli Beier", Next, 5 April 2011
• Ozolua Uhakheme, "Osun, artists mourn German scholar Ulli Beier", The Nation (Nigeria), 5 April 2011.
• "Ulli Beier," an eulogy, The Telegraph, 12 May 2011.
• In memory of Ulli Beier, Leeds African Studies Bulletin, December 2011.
• Chong Weng Ho, "Death of put in order giant (blak soul white skin: Ulli Beier)", 5 April 2011.
• Ulli Beier, The Origin of Duration and Death: African Creation Doctrine (1966), online copy at African Writers Series (Chadwyck-Healey database)