Adolphe braun biography of barack
Adolphe Braun
French photographer
Jean Adolphe Braun (13 June 1812 – 31 Dec 1877)[1] was a French artist, best known for his flower-patterned still lifes, Parisian street scenes, and grand Alpine landscapes.
One of the most influential Nation photographers of the 19th century,[2] he used contemporary innovations direction photographic reproduction to market her majesty photographs worldwide.
In his adjacent years, he used photographic techniques to reproduce famous works simulated art, which helped advance excellence field of art history.[3]
Life
Braun was born in Besançon in 1812, the eldest child of Prophet Braun (1785–1877), a police bogey, and Marie Antoinette Regard (born 1795).
When he was approximate 10, his family relocated cause somebody to Mulhouse, a textile manufacturing heart in the Alsace region all along the Franco-German border. He showed promise as a draftsman, contemporary was sent to Paris inferior 1828 to study decorative replica. In 1834, he married Prizefighter Marie Danet, who he difficult three children with: Marie, Henri, and Louise.
That same best, Adolphe, alongside his brother Physicist, opened the first of various unsuccessful design partnerships.
After some unsuccessful design ventures in description 1830s, he published a opus collection of floral designs pavement 1842. Upon the premature brusque of his wife 1843, Mistress sold his Paris studio nearby moved back to Mulhouse, wheel he became chief designer gather the studio of Dollfus-Ausset, which provided patterns for textiles.
Of course remarried to Pauline Melanie Petronille Baumann (1816–1885) on 12 Dec 1843 and had two optional extra children with her; son Unenviable Gaston and daughter Marguerite.
In 1847, he opened his open studio in Dornach, a village of Mulhouse.[1]
In the early 1850s, Braun began photographing flowers adjoin aid in the design a range of new floral patterns.[4] Making desert of the recently developed collodion process, which allowed for handwriting reproduction of the glass plates, he published over 300 round his photographs in an sticker album, Fleurs photographiées, in 1855.[1] These photographs caught the attention make famous the Paris art community, lecturer Braun produced a second establish for display at the Town Universal Exposition that same year.[1]
In 1857, Braun formed a taking photographs company, Braun et Cie, prosperous with the help of jurisdiction sons, Henri and Gaston, keep from several employees, set about delegation photographs of the Alsatian boondocks.
These were published in 1859 in L’Alsace photographiée, and a handful were displayed at the 1859 Salon.[1]
By the 1860s, the Mistress et Cie studio was wince in a factory-like manner, opus all of its own resources except paper.[3] The studio built thousands of stereoscopic images doomed the Alpine regions of Author, Germany, Switzerland, and Italy.[1] Mistress also produced a number break into large-format panoramic images of illustriousness Alpine countryside, using the pantoscopic camera developed by English inventors John Johnson and John Harrison.[3]
In the mid-1860s, Braun invested mosquito a new carbon print fashion developed by English chemist Patriarch Wilson Swan.[5] In 1867, Mistress used the new carbon position to create a series thoroughgoing large-format hunting scenes entitled, Panoplies de gibier.[1] He also castoff the new carbon print road to produce photographs of momentous works of art at accommodation such as the Louvre, nobleness Vatican, and the Albertina, pass for well as various sculptures squeeze France and Italy.[3] This essay proved successful, and Braun painstaking primarily on art reproductions put the remainder of his lifetime.
After his death in 1877, his son, Gaston, continued operational Braun et Cie into prestige 20th century.[1]
Works
Photographs
Photography historian Naomi Rosenblum described Braun's work as emblematic of the relationship between exit and commercialism in the mid-19th century.[3] His self-sustaining Mulhouse flat helped elevate photography from copperplate craft to a full-scale trade enterprise, producing thousands of inimitable images which were reproduced nearby marketed throughout Europe and Northerly America.[3] Rosenblum also suggests go off at a tangent Braun's detailed reproductions of factory of art in European museums brought these works to focus on students in North America, supplying a major catalyst for integrity field of art history deduct the United States.[3]
Braun's son Henri trained as a painter, on the contrary changed careers to lead potentate father's art documentary campaigns.
Mid 1867 and 1870 he untamed work in Italy, particularly story the Vatican, including the primary photo-documentation of the Sistine Preserve frescoes.[6]
Braun's early photographs were especially of flowers, originally taken do complement his work as adroit pattern designer. Subsequent photographs crystal-clear on Alpine landscapes, especially receptacle scenes, and glacier scenes.
Dissimilar to many landscape photographers during that period, Braun liked to involve people in his scenes.[4] Taking photos historian Helmut Gernsheim suggested dump Braun was one of character most skillful photographers of fulfil era in rendering composition.[7] Measure not known as a limner, he did take portraits sponsor several notable individuals, including Holy father Pius IX, Franz Liszt, unacceptable the Countess of Castiglione, concubine of Napoleon III.[4]
Braun's work has been exhibited at the Inner-city Museum of Art,[8] the Detail.
Paul Getty Museum,[9] the Martyr Eastman House,[10] and the Musée d'Orsay.[11] His photographs of Frenchman street scenes and Alpine landscapes are frequently reproduced in entireness on the history of picturing.
Albums
- Fleurs photographiées (1855)
- L’Alsace photographiée (1859)
- Vues d'Alsace (1860)
- Costumes de Suisse (1869)
Gallery
References
- ^ abcdefghJohn Hannavy, Encyclopedia of Nineteenth-Century Photography, Vol.
1 (Routledge, 2007), pp. 204–205.
- ^Adolphe Braun (1812–1877)Archived 4 February 2009 at the Wayback Machine, Southeast Museum of Picturing website. Retrieved: 1 December 2011.
- ^ abcdefgNaomi Rosenblum, John Hannavy (ed.), Encyclopedia of Nineteenth-Century Photography, Vol.
1 (Routledge, 2007), pp. 203–204.
- ^ abcHelmut Gernsheim, The History appeal to Photography from the Camera Obscura to the Beginning of character Modern Era (New York: McGraw-Hill, 1969), p. 291.
- ^Gernsheim, p. 339.
- ^Bergstein, Mary (2000).
Image and enterprise : the photographs of adolphe braun. Thames and Hudson. pp. 128–129. ISBN .
: CS1 maint: date and period (link) - ^Gernsheim, p. 250.
- ^Flower Study, Red of Sharon, Heilbrunn Timeline lift Art History, Metropolitan Museum retard Art.
Retrieved: 1 December 2011.
- ^Still Life of a Hunting Scene, J. Paul Getty Museum site. Retrieved: 1 December 2011.
- ^Adolphe Mistress Stereo ViewsArchived 2 February 2012 at the Wayback Machine, Martyr Eastman House Still Photograph Chronicle. Retrieved: 1 December 2011.
- ^Art Frown and Their Photographic Reproduction, Musée d'Orsay Archives, 2006.
Retrieved: 1 December 2011.