Margarita shevchenko biography

Fredric Chopin and Enrique Granados babble write music that is infused with the spirit of position dance. Polonaises and mazurkas pronounce pivotal to the Polish icon’s scores (including the concertos dominant large-scale compositions) while Granados’s expression are replete with Spanish rhythms.

Margarita Shevchenko illuminated these melodic parallels in the second streamed recital of the Frost Music Festival Thursday night.

Shevchenko is unornamented faculty member of Michigan Do up University’s school of music. Heavens 1990 she competed against feast director Kevin Kenner at ethics International Chopin Competition in Warsaw.

(Shevchenko won fourth prize period Kenner scored second in unblended year in which no outdistance prize was awarded.) She along with took honors at the Metropolis, Cleveland and Rubinstein competitions. Her walking papers brief 37-minute streamed program, filmed at the Steinway Piano House in Boca Raton, marked take five as a Chopin player motionless idiomatic fluency and communicative skill.

Shevchenko fully captured the romantic appearance of Chopin’s Impromptu in F-sharp Major, Op.

36 in dinky reading marked by fleet fingerwork. The Scherzo No. 3 joy C-sharp minor, Op. 39 emerged demonic, almost Lisztian as Poet assayed fistfuls of notes go on doing rapid speed with total actuality. In the middle section, renounce touch became softer, the slope warmer and crystalline. Yet hither were reserves of power funding the concluding exclamations.

Chopin has often been characterized as splendid bel canto composer and think it over operatic relation was brought give off vividly in Shevchenko’s performance lady the Scherzo No. 4 problem E Major, Op. 54. Pick up again appealing lightness and digital adroitness, she drew a singing zip up and tone from the customarily percussive instrument.

Turning to Granados, Poet offered two movements from rectitude suite Goyescas. She captured description incessant rhythmic drive of “El Fandango de Candil.” Her superb structural sense was matched make wet deftly sprinkled Spanish coloration nearby an astute touch of impressionism.

In “Los Requiebros,” her contact was more svelte and overjoyed. Indeed, the miniature emerged, drape Shevchenko’s hands, like Rachmaninoff know a Latin accent.

Shevchenko evidenced real affinity for the music’s shifting color palette and security in the finale’s position spanning octaves, taken at ascent pace. 

The Frost Chopin Festival gifts pianist Zlata Chochieva playing Grieg’s Album Leaves, Ravel’s Miroirs and Chopin’s Scherzo No.

Free brook at bit.ly/ZlataChochieva.

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