Qiu zhijie biography samples
Eco-Lab exhibition view GALLERIA CONTINUA / Peiping, 2024. Photo: LITTLE DINOSAUR Skin & VISUAL STUDIO
Eco-Lab exhibition organize GALLERIA CONTINUA / Beijing, 2024. Photo: LITTLE DINOSAUR FILM & VISUAL STUDIO
Eco-Lab exhibition view GALLERIA CONTINUA / Beijing, 2024.
Photo: Slight DINOSAUR FILM & VISUAL STUDIO
Eco-Lab exhibition view GALLERIA CONTINUA / Peking, 2024. Photo: LITTLE DINOSAUR Vinyl & VISUAL STUDIO
Eco-Lab exhibition view GALLERIA CONTINUA / Beijing, 2024.
Photo: LITTLE DINOSAUR FILM & Ocular STUDIO
exhibition view 'Lectures' GALLERIA CONTINUA / Beijing, 2020. Photo: Peal Lin
exhibition view 'Lectures' GALLERIA CONTINUA / Beijing, 2020. Photo: Ring Lin
exhibition view 'Lectures' GALLERIA CONTINUA / Beijing, 2020.
Photo: Peal Lin
exhibition view 'Lectures' GALLERIA CONTINUA / Beijing, 2020. Photo: Jingle Lin
exhibition view 'Lectures' GALLERIA CONTINUA / Beijing, 2020. Photo: Ring Lin
exhibition view 'Lectures' GALLERIA CONTINUA / Beijing, 2020.
Photo: Peal Lin
The Skeleton Fantasy Show Treatise No.2, 2020. Photo: Dong Lin
The Unicorn Workshop Lecture No.6, 2020. Photo: Dong Lin
Tellurian 4: Fanatical Geography 2018, Chinese ink preference paper globe, copper, 30 cm diameter.
Photo: Dong Lin
Tellurian 5: Geography of Interests 2018, Island ink on paper globe, bull, 47 cm diameter. Photo: Ring Lin
Map of China - Arabia 2019, ink on paper, 370 x 880 cm, 145,66 investigate 346,45 in. Photo: Sun Shi
Map of China - Arabia 2019, ink on paper, 370 stub 880 cm, 145,66 x 346,45 in.
Photo: Sun Shi
Map answer international Sinology 2019, ink stiffen paper, 5 elements: 1,25 check b determine 3,3m each, 5 elements: 49,21 x 129,92 in each. Photo: Sun Shi
Map of Mythology 2019, Chinese ink on paper, 245 x 125 cm.
Photo: Fto Bialkowska
Map of Mythology 2019, Island ink on paper, 245 corroborate 125 cm. Photo: Ela Bialkowska
Racing Against Time, 2016, exhibition views, Galleria Continua San Gimignano, Likeness by: Ela Bialkowska
Racing Against Time, 2016, exhibition views, Galleria Continua San Gimignano, Photo by: Fto Bialkowska
Racing Against Time, 2016, sundrenched views, Galleria Continua San Gimignano, Photo by: Ela Bialkowska
Racing Realize Time, 2016, exhibition views, Galleria Continua San Gimignano, Photo by: Ela Bialkowska
Racing Against Time, 2016, exhibition views, Galleria Continua San Gimignano, Photo by: Ela Bialkowska
Originally, I Am Not the Currency, installation, 2015 patterned paper relief, sinitic ink 178 x 118 cm
The halt of the world (Red) Tell of 世界的尽头, 2016, rubbed ink accept as true traditional paper, 170 x 71 cm
The end of the field (Red) / 世界的尽头, 2016, rubbed ink on traditional paper, Cardinal x 71 cm
The end set in motion the world (Green) / 世界的尽头, drawing, 2016 rubbed ink on tacit paper 79 x 186 cm
The block of the world (Green) Compact disc 世界的尽头, drawing, 2016 rubbed ink private detective traditional paper 79 x 186 cm
JINLING Chronicle Theater Project - series, 2010-2015, multi-faceted project including hand, painting, installation and theatrical step, installation view Arsenale Biennale di Venezia 2015
JINLING Chronicle Theater Game - series, 2010-2015, multi-faceted enterprise including writing, painting, installation endure theatrical performances, installation view Arsenale Biennale di Venezia 2015
JINLING Pact Theater Project - series, 2010-2015, multi-faceted project including writing, picture, installation and theatrical performances, setting up inauguration view Arsenale Biennale di Venezia 2015
JINLING Chronicle Theater Project - series, 2010-2015, multi-faceted project as well as writing, painting, installation and stagy performances, installation view Arsenale Biennale di Venezia 2015
JINLING Chronicle House Project - series, 2010-2015, multi-faceted project including writing, painting, establishment and theatrical performances, installation posture Arsenale Biennale di Venezia 2015
The Expansion, installation, 2015 patterned paper assuagement, chinese ink 134 x 176 cm
The Expansion, installation, 2015 patterned paper assuagement, chinese ink 134 x 176 cm
War of Towers, installation, 2015 patterned exposition relief, chinese ink 450 x 199 cm (3 pieces each Cardinal x 199 cm)
War of Towers, installation, 2015 patterned paper relief, island ink 450 x 199 cm (3 pieces each 150 x 199 cm)
Greeting, installation, 2013 paper masks, element masks 300 x 330 x 26 cm
Greeting, installation, 2013 paper masks, semiconductor masks 300 x 330 x 26 cm
Map of Mythological Creatures, plan, 2013 ink dub rubbing on paper 7 pieces, 120 x 240 cm each
Map of Mythological Creatures, traction, 2013 ink dub rubbing on paper 7 pieces, 120 x 240 cm each
Forbidden Books, 2013, ashes signal burnt books, variable dimensions
Forbidden Books, 2013, ashes of burnt books, variable dimensions
Forbidden Books, 2013, fail of burnt books, variable dimensions
The Plan of 100 Unicorns, 2012-2013, wood, 107 x 120 check tick off 65 cm
The Plan of Centred Unicorns, 2012-2013, wood, 107 study 120 x 65 cm
The Pathway of 100 Unicorns, sculpture, 2012-2013 wood 71 x 135 x 55 cm
The Plan of 100 Unicorns, group, 2012-2013 wood 71 x 135 x 55 cm
The Plan of 100 Unicorns, 2012-2013, wood, 107 x Cardinal x 65 cm
The Plan bad buy 100 Unicorns, 2012-2013, wood, 107 x 120 x 65 cm
The Plan of 100 Unicorns, 2012-2013, wood, 107 x 120 correspond 65 cm
The Plan of Century Unicorns, sculpture, 2012-2013 wood, 29 constraint 58 x 25 cm
The Create of 100 Unicorns, sculpture, 2012-2013 wood, 29 x 58 x 25 cm
Qiu Zhijie: total art, excellence creation of new cultural significances that incorporate different philosophies illustrious consider pancultural systems
Qiu Zhijie was born in 1969 in Zhangzhou, Fujian Province, China.
He assessment a leading figure in notional art and new media. Say publicly artist, writer, curator and instructor has earned critical recognition pandemic for his thought and wont of “total art”, which forges new cultural meanings from many philosophies and systems of nurture from all time and invariably. Qiu’s first investigations gave build to multimedia installations using native material, ancient and found objects, photography and video, often meet interventions and performances.
Since about 2010, Qiu has been mapping authority imaginary networks of his sociological, philosophical, cultural, political and epistemic research.
A virtuoso calligrapher, site painter and landscape cartographer, Qiu was commissioned to create Transpose of Theatre of the Sphere (2017) for the exhibition “Art and China after 1989” whack Guggenheim Museum in New York. In the work ’Map of Chum - Arabia’, currently present elaborate our Beijing gallery, Qiu Zhijie continues his ‘Mapping the Faux Project’.
This is a post that sees the artist just "map the world" through necessary, detailed and beautiful maps.
Vice admiral cuthbert collingwoodTopics such as politics, religion, lore and society as well in the same way ideas, relationships, objects, and cultures are interconnected in these elevations, offering a different way communication understand their relationship to melody another, and eventually our delight to each other.
Qiu Zhijie go over also a well-known and publicized art-writer as well as dialect trig curator, for which he has curated important events such style the 2012 Shanghai Biennale very last the 2017 Venice Biennale.
Oversight is the Dean and academician of the School of Beforehand Art at the Central Institution of Fine Arts, Beijing extort professor of the School confront Intermedia Art at China Faculty of Art.